~Selected by Clara Jane Hallar,
assistant editor, poetry
~This poem was previously published
in Spoon River Quarterly (1991).
Dialing and Dolor
la vida es sueƱo
Selena’s on the telephone. Richard
is in
conference. Philip’s on hold.
Rosalie is
calling. Kevin
is dialing.
Mark is listening.
At the front desk Pat is decding
whether to
be masculine or feminine.
Most of us
have already made this decision,
some have
lived to regret it.
And where is Caroline? Philip calls Selena,
there’s no
answer. He calls Bob, but
Caroline’s
not there. He calls me,
I’m holding
for an open line. “Mark, is Caroline there.”
She is not. She is in the conference
room,
speaking to
herself, practicing eye contact,
practicing
doing without cigarettes
for an hour
and a half, studying inflections, weighing nuance.
Through the skylight the sun lights
without
connection or warmth; it’s working on a
concept,
it’s on to something big. The sun is so much
like light
it’s almost uncanny,
As if masculine were feminine,
or dialing
listening, sometimes there’s just
the warm
contours of the telephone
when you’ve
been on hold.
*****
~This poem was previously
published in Pleiades (1992).
Indolence
Grass, bowed
by its length,
Could be its
own scythe.
The fires
hang, homes hold,
Hills crest,
questions
Are left on
the window sill
Like a pie
there, as if
All we think
we know is only
That pie
we’ve practically
Anticipated,
brimming ourselves,
The tongue’s
recall of apples, warm.
Problems
relax with us
Like a
furrow left fallow at plough time;
We sit on
the porch watching November,
Waiting out
neglect. We’re left,
Left, with
leaves we’d rather
The wind
would gather. We drift into attics,
Check the
hay for loft: Questions are loitering
On the
window in the kitchen like a
Windfall of
fruit or a pie slowly curving
This
November.
*****
~This poem was
previously published in The Madison
Review (1980).
McCloud River
We live so
near
an aging world
in which our
garters
slip; the bones
of
billboards, superstructs
of roadside
drive-in
movie screens
like risen
Stegosauri
in
or bare
elucidation
of
the fallow wheat
ocelot snow.
*****
THE STORY BEHIND THE POEMS
It’s curious to look at and think
about these pieces from two different periods (I’d say “eras” just to be
grandiose, but…) of my life, and try to recapture the impetus and spirit behind
them. There was an office, and there was
a train. Harder still to recall what I
felt about them when I’d finished (yes, abandoned would be at least equally
appropriate) them, but I’m fairly certain I was quite happy with them,
“Indolence” and “McCloud” especially.
And then I
moved on. At the time of “McCloud River” I had a baby daughter, about
one year old, and she now has her own daughter.
And that gets me started thinking about time, a muddy concept that tends
to insinuate itself into much of my writing today, and well, isn’t that odd,
appears to be puttering about in a couple of the poems in this issue.
****
ABOUT BRUCE ROBINSON
Work by Bruce Robinson has appeared in journals such as Poetry Australia, Fiction, Onthebus,
Greenfield Review, Opera Journal, Yo-NewYork!, and Fourth River/Tributaries, as well as in the publications listed
above. With considerable effort, he
manages to keep his Google drive storage at about 97% of capacity.
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