~This poem was previously published
in Gargoyle (2016).
I
take her on the city bus
The
six blocks to the library
Six
blocks too long for toddling legs
I
take her on the city bus
So
she knows what it costs to spend a dollar eighty
For
an hour’s trip across the District
We
take the bus.
I
take her on the city bus
So
she will learn things
Some
people never know, see things
See
the women bent over their drugstore walkers
See
the men with eyes stuck shut, murmuring
See
the girls, young, with babies like her
And
hear the boys in the back rapping freestyle
She
is nearly two and’s seen
More
than I at twenty-two:
A
gang of masks on Halloween punching out a neighbor,
Panhandlers
asking only for a smile
Homeless
people passing the peace at church
And
all the sirens at night
In
place of stars, sirens and
Helicopters,
bellies full of hurt children
How
young should one begin to know?
Will
all this turn her callous
Or
cause her pain?
A
man on the radio the other day:
“When
it comes to our children
Know
the space between pain and suffering
“Pain
is a teacher. Suffering
Destroys.
Just hold your babies
When
they are hurting.”
So
we take the city bus
With
grandmothers and their grocery carts
And
men preaching Jehovah’s promise
We
take the bus to see the city
At
the slowly rolling speed of
Start-and-stop
amidst strangers
My
daughter and I, she and I,
We
take the city bus.
*****
THE STORY BEHIND THE POEM
In late 2014, I took a class on the Beats, taught by Sarah
Herrington through the Eckleburg Workshops. At that point I was writing mostly
flash-length short stories and lyrical essays, many of which verged on prose
poetry, but I hadn’t tried to write something I would call a poem in years.
One of Herrington’s first lessons focused on Allen Ginsberg,
and the assignment was to meditate for ten minutes and then write a poem. (She
included a video link to Ginsberg’s “Meditation Rock” as a useful reference.)
One afternoon while my daughter was napping, I sat, cross-legged and about six
months pregnant, on the rug in our living room and closed my eyes. Before ten
minutes was up, I had grabbed my notebook and pen and written the first draft
of this poem.
*****
ABOUT JACQUELYN BENGFORT
Jacquelyn
Bengfort was born in North Dakota, educated at the U.S. Naval Academy and
Oxford University, and now resides in Washington, DC. Her work has appeared in Midwestern Gothic, Gargoyle, Storm Cellar, District Lines, matchbook, CHEAP POP, The Fem, and numerous anthologies, among
other places. She was a finalist for SmokeLong
Quarterly's 2017 Kathy Fish Fellowship and The Iowa Review’s 2016 Jeff Sharlet Memorial Award for Veterans.
Find her online at www.JaciB.com.
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